Seeking a Large, Diverse, Thoughtful, Empathetic and Courageous Cast • Over 20 Characters
By Theresa Rebeck
Directed by Michael Mufson
Performances OCT 5-14
Theresa Rebeck pens a theatrically inventive mash-up of contemporary American life and the history that got us to this politically polarized age. This fiercely funny story explores the lives of high school students, teachers, and their families as they cope in a world of real personal problems and extremist ideological rhetoric that gets so heated that Jesus, Saint Paul, Joan of Arc, John Adams, Patrick Henry, and Benjamin Franklin, among others, show up to weigh-in and mix it up.
Warning: This production contains controversial portrayals of Jesus and the Founding Fathers as well as mature themes and language.
Perusal Scripts available upon request: firstname.lastname@example.org
Performances are OCT 5-14, Fridays & Saturdays at 7 PM, Sundays at 2 PM and Thursday at 4 PM.
Open Call • Friday, August 24 • 6:30 PM • STUDIO THEATRE
Callbacks • Saturday, August 25 • 1 PM • STUDIO THEATRE
Please prepare a 1 to 2-minute contemporary monologue – dramatic or comic
Rehearsals will be Monday – Friday 6:30 – 10:30 PM beginning August 27 and some Saturdays.
Technical Rehearsals will be Saturday & Sunday, September 29 & 30 10AM-10PM and October 1-4 • 5PM-11PM
Casting preference to actors with no schedule conflicts.
Participants are required to enroll for 2 units of college credit (TA 191 Rehearsal & Performance)
General Context: O Beautiful is set within a mostly conservative, Christian community, and we meet characters from four different families struggling with basically all the “trigger issues” present in America today: teen pregnancy and abortion rights, gun control and gun violence, physical and cyber bullying, etc. Add to that controversy about who controls the high school curriculum and basic communication breakdown between the generations. On television, we’re presented with a Glenn Beck/Alex Jones type who (through the miracle of theatre) interviews some of the Founding Fathers, including Benjamin Franklin, Thomas Jefferson, and John Adams, trying to delve into their original intent, thereby forwarding his own agenda. Through it all, Jesus is available as a personal savior to all who invite him in, though it mostly seems that what they want is approval rather than counsel. Everything culminates in a town hall meeting that turns ugly with lots of rancor and very little listening. A prime example of what Civil Discourse is not.
HIGH SCHOOL STUDENTS:
ALICE FLETCHER: She has become pregnant from a date rape encounter and is struggling to make sense of her life. She is intelligent, empathetic, outspoken and brave, but also confused and traumatized.
LENNIE RYAN: A sensitive young man who lacks confidence and does not fit in socially. He is an easy target for the Bullies.
LUKE SIMPSON: Bully. Cool kid. Dating Gwen. Responsible for getting Alice pregnant but does not take responsibility. Conservative Christian. Shames Alice for wanting an abortion. Bullies Lennie.
GWEN TURNER: High School student. Cool kid. Dating Luke. Conservative Chrisitan. Bully.
ERIK WATERS: Hangs out with Luke and Gwen and participates with their bullying behavior, although he is generally not the instigator.:
LINDA RYAN: Mother of Lennie. Warm, loving and encouraging of Lennie. A bit naïve. She is very concerned when her husband (Brian) starts to bring guns into their home.
BRIAN RYAN: Father of Lennie. Hangs out with the guys and is very susceptible to their peer pressure. He is influenced by an “unnamable” fear that is currently pervasive in certain communities. He has recently begun to purchase guns.
ARLENE FLETCHER: Mother of Alice. Kind and loving. Strictly Christian.
DON FLETCHER: Father of Alice. Tries to be a good father but is typically insensitive.
MARCIA TURNER: Mother of Gwen. Conservative Christian. Sees no flaws in her daughter. Somewhat militant in her conservatism.
BRENDA WATERS: Mother of Erik. Warm, loving and caring. Fierce defender of her son.
JOE SIMPSON: Father of Luke. Really into guns. Aggressive.
TY JANALERIS: African American. In his first year of teaching History at the local High School. His teaching becomes controversial because he insists on providing handouts to augment the prescribed text book. He is a kind and stands up for the justice of his students.
SONDRA JANALERIS: Sister of Ty. Wise and earthy.
SIMON WEST: Conservative talking-head on television. Modeled after Glen Beck and quite simiar to Alex Jones of InfoWars.
MRS. LOOMIS: School Principal. Caught between pressure from School Board, Parents and Faculty Union.
JESUS: Jesus relates and communicates as if he is another member of the community. It is revealed later in the play that all the characters see and hear the “Jesus” that they wish to see and hear. The actor playing Jesus must be a great listener, exude compassion and have some ability to mimic vocal rhythms and characteristics. Casting is open to all races, ethnicities, genders and ages.
JOAN OF ARC
OTHER PARENTS, TEACHERS, AND STUDENTS etc
for more information email email@example.com
The great singer and composer Nina Simone is noted for saying “It is the artist’s responsibility to reflect the times.” Our choice to present a season of works by women is a response to the times and we will shine a light on the stories, characters, and concerns of female theatre artists.
Performances for all shows (except Legally Blonde) will be Fridays and Saturdays @ 7PM; Sundays @2PM and Thursday at 4PM (Followed by a Coffee Talk) • For Legally Blonde the Thursday performance will be at 2PM.
0 Beautiful (2011) by Theresa Rebeck
Directed by Michael Mufson | OCT 5-14
Theresa Rebeck pens a theatrically inventive mash-up of contemporary American life and the history that got us to this politically polarized age. This fiercely funny story explores the lives of high school students, teachers, and their families as they cope in a world of real personal problems and extremist ideological rhetoric that gets so heated that Jesus, Saint Paul, Joan of Arc, John Adams, Patrick Henry, and Benjamin Franklin, among others, show up to weigh-in and mix it up. Warning:This production contains controversial portrayals of Jesus and the Founding Fathers as well as mature themes and language.
The Children’s Hour (1934) by Lilian Hellman
Directed by Francis Gercke | NOV 30 – DEC 9
What do you do when everything you say is made to mean something else? Lillian Hellman, one of our country’s most significant playwrights, tackled this question long before fake news, spin, and political correctness overwhelmed our popular culture. In 1934 Massachusetts, two teachers, Martha and Karen, establish a successful private school for young women only to be confronted by a community that punishes the innocent with rumor and innuendo. As Mark Twain observed more than a century ago, “A lie can travel halfway around the world while the truth is putting on its shoes.”
Legally Blonde, The Musical (2007) • Book by Heather Hach • Music and Lyrics by Laurence O’Keefe & Nell Benjamin • Based on the novel by Amanda Brown and the Metro-Goldwyn-Mayer motion picture • Directed by Michael Mufson | MARCH 8-17
A fabulously fun award-winning musical based on the adored movie. Legally Blonde The Musical follows the transformation of Elle Woods as she tackles stereotypes and scandal in pursuit of her dreams. Action-packed and exploding with memorable songs and dynamic dances – this musical is so much fun, it should be illegal!
Goodnight Desdemona (Good Morning Juliet) (1988) by Ann-Marie MacDonald
Directed by Dana Case | MAY 3-12
This lively comedy cleverly captures an undistinguished academic who takes a Shakesperian topple down a rowdy rabbit hole. When our leading lady lands, she inadvertently upends the worlds of Othello, Desdemona, Romeo, and Juliet; turning tragedy into comedy, while leaving lust and lunacy in her wake. An adventure of sharp-witted self-discovery with a wicked twist.
Campus Engagement Staged Reading Series
Times and Locations to be announced
Throughout the academic year, we will present Staged Readings of plays and projects by women to enlarge the awareness and discussions that highlight women’s stories and points of view. This project will include readings from The Every 28 Hours Plays, A National Project Focused on the Current Civil Rights Moment, originally developed in Ferguson, MO and produced by The Oregon Shakespeare Festival, with artistic leadership by Dominic D’Andrea and Claudia Aick. The title came from the widely shared and contested statistic that every twenty-eight hours a black person is killed by a vigilante, security guard, or the police in the United States. The project consists of around 76 one-minute plays.
You Can’t Take It With You
You Can’t Take It With You, winner of the Pulitzer Prize for drama, was written by the famous comedic team of Kaufman and Hart.
Taking place in the large house of a slightly batty New York City family in 1937, You Can’t Take It With You is a madcap, idealistic comedy that reinforces the idea that you can only live life to the fullest by doing whatever makes you happy.
AUDITIONS: Saturday, February 10th. 12:00 – 4:00 pm.
Palomar Black Box Theatre.
Please prepare a monologue of one and a half minutes, you can access the play free online.
CALLBACKS: Sunday, February 11th. 12:00 – 4:00 pm.
You will be asked to prepare sides from the show.
REHEASALS: Tuesday & Thursday 6:30 – 10:00 PM, Friday 3:00 – 7:00,
Saturday/Sunday 12 – 5 , TBA. Rehearsal begins Tuesday, March 13th.
TECH: Sat 4/21 and Sun 4/22 from 11am-10pm both days.
DRESS REHEARSALS: will begin 4/23, 24, 25 & 26.
OPENS: Friday, April 27, 2018
PERFORMANCES: Performances are April 27 – May 6. Fridays & Saturdays at 7 PM, Sundays at 2 PM and Thursday at 4 PM
* Actors required to enroll for 2 units of college credit (TA 191 Rehearsal & Performance).
CAST OF CHARACTERS
Penelope is the mother of Essie and Alice, wife of Paul, and daughter of Martin. She decided to become a playwright when a typewriter was delivered to their house by mistake. She writes plays and paints as hobbies but is terrible at both.
Wife of Ed, daughter of Penny. She is childish. As a hobby she makes candy that Ed sells. Essie dreams of being a ballerina and has spent 8 years studying with Boris Kolenkhov, but is a terrible dancer.
The maid and cook to the Sycamore family. She is treated almost like a part of the family. She probably understands this unusual family better than anyone.
Mr. De Pinna
The ice man who came inside to speak to Paul eight years before, and never left. He helps Mr. Sycamore build fireworks, and moonlights as a model in Mrs. Sycamore’s paintings.
Husband of Essie. He is a xylophone player, likes to make masks and distributes Essie’s candies. He is an amateur printer who prints up dinner menus for his family and little quotes that he places in the boxes of Essie’s candy.
The boyfriend of Rheba, who seems to serve as volunteer handyman for the Sycamores.
Referred to mostly as Grandpa in the play. He is an eccentric, happy old man who has never paid his income tax because he doesn’t believe in it. Once a very successful businessman, he left his job 35 years ago and now goes to circuses, commencements, throws darts, and collects stamps.
Fiancée of Tony Kirby, daughter of Paul and Penny, she is the only “normal” family member. She has an office job, and is rather embarrassed by the eccentricities of her family yet she still loves them. She tends to be a pessimist.
Wilbur C. Henderson
An employee of the IRS. He comes to collect the tax money owed by Grandpa.
Fiancé of Alice, and son of Mr. and Mrs. Kirby. His family is very proper and has many issues. He is vice president of Kirby and Co.
An actress whom Mrs. Sycamore meets on a bus and invites home to read one of her plays. She is an alcoholic, gets very drunk and passes out shortly after arriving at the Sycamore’s home.
Anthony W. Kirby
Husband of Mrs. Kirby, father of Tony. He is a very proper man who is president of Kirby and Co. and secretly despises his job. His hobby is raising expensive orchids.
Wife of Mr. Kirby, mother of Tony. She is an extremely prim and proper woman and is horrified by the goings-on in the Sycamore household. Her hobby is spiritualism.
G-Man 1 (The Man), G-Man 2 (Jim), G-Man 3 (Mac)
Three agents who come to investigate Ed because of the communist quotes he prints up and places in Essie’s candy boxes, such as “God is the State – the State is God”.
The Grand Duchess Olga Katrina
She was one of the Grand Duchesses of Russia before the Revolution,
RUSS / DAN Neha Curtiss
BEV / KATHY Julia Cuppy
FRANCINE / LENA Joy Cooper
ALBERT / KEVIN Colin Atkins
KARL / STEVE Jolyon Maxilom
BETSY / LINDSAY Rachel Stinger
JIM / TOM Bayani DeCastro
Thanks to all who auditioned. I appreciate your preparation, your dedication, and your time.
Each semester the Performing Arts Department creates opportunities for the entire campus to engage in interdisciplinary activities surrounding a theme highlighted in one or more of our productions. For Spring 2016 the theme is The World Refugee Crisis. Visit our PalomarCoffeeTalks.org website for more information on this exciting project.
SEEKING DIVERSE ENSEMBLE OF
20+ ACTORS & DANCERS
Open to ALL races, ethnicities, ages, genders and experience levels!
Open Call Monday, Feb 29, 6:30 PM.
Palomar College Studio Theatre
Callbacks Tuesday, March 1, 6 PM
Please prepare a one – two minute comedic, dramatic or poetic monologue, refugee story or dance piece.
Rehearsals M-F 6:30-10:30 PM and some Saturdays
Performances April 15 – 24
2 units of college credit
Information – firstname.lastname@example.org
A play by Naomi Iizuka
A Refugee Odyssey
Directed by Michael Mufson
Separated from his mother, a young refugee called Anon journeys through the United States, encountering a wide variety of people — some kind, some dangerous and cruel — as he searches for his family and home. From a sinister one-eyed butcher to beguiling barflies to a sweatshop, Anon must navigate through a chaotic, ever-changing landscape in this entrancing adaptation of Homer’s Odyssey.
CAST OF CHARACTERS
Chorus Of Refugees
Anon, a refugee
Nemasani, his mother
Naja, a godess
Ali, former refugee, now a restaurant owner
Ritu, his wife
Nasreen, his daughter
Calista, a rich american girl
Mr. Yuri Mackus, owner of a sewing factory
Helen Laius, his wife
Pascal, a refugee
Mr.Zyclo, a sausage manufacturer
Zyclo’s Pet Bird
Belen, a refugee
Ignacio, her father
Strygal, a trucker
Nice American Mother
Nice American Father
Nice American Daughter
Serza, a bar owner
Information – email@example.com
Palomar Symphony Orchestra (PSO):
If you are interested in auditioning for the Palomar Symphony Orchestra, please contact the director, Dr. Ellen Weller at (760) 744-1150 ext. 3949 or firstname.lastname@example.org.
You can then register for MUS 198, show up to the first rehearsal on Tuesday, January 19th at 6:30 to have an informal audition. and stay for the rehearsal.
Please prepare a simple 5 minute exerpt of anything and a major scale.
Auditions are first day of class, Wednesday, January 20th, D-5 at 12PM.
Palomar/Pacific Coast Concert Band:
All Wind and Brass Instruments Requirements: Be able to play scales ascending and descending one octave 90mm per quarter note. C Concert, Bflat Concert, G Concert.
Fussell Rudiments for Band (Text for Course), Rhythmic Exercises #1-25 at mm 90. Written exam testing musical terms and reading of notes on staff.
Held in D-6, 7pm, Thursday night January 21st.
Palomar Performing Arts
1140 West Mission Road
San Marcos, CA 92069
760-214-9109 (call or text)